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walt whitman

poem of the body (english)

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The bodies of men and women engirth me, and I engirth them,
They will not let me off, nor I them, till I go with them, respond to
them, love them.
Was it doubted if those who corrupt their own live bodies conceal
themselves?
And if those who defile the living are as bad as they who defile the
dead?
And if the body does not do as much as the soul?
And if the body were not the soul, what is the soul?
The expression of the body of man or woman balks account,
The male is perfect, and that of the female is perfect.
The expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of his hips
and wrists,
It is in his walk, the carriage of his neck, the flex of his waist and
knees – dress does not hide him,
The strong, sweet, supple quality he has, strikes through the cotton
and flannel,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.
The sprawl and fulness of babes, the bosoms and heads of women,
the folds of their dress, their style as we pass in the street, the
contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
the transparent green-shine, or lies with his face up, and rolls
silently in the heave of the water,
The bending forward and backward of rowers in row-boats, the
horseman in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
cow-yard,
The young fellow hoeing corn, the sleigh-driver guiding his six
horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,
good-natured, native-born, out on the vacant lot at sun-down, after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding
the eyes;
The march of firemen in their own costumes, the play of masculine
muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
suddenly again, the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curved neck,
the counting,
Such-like I love, I loosen myself, pass freely, am at the mother’s
breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
the firemen, pause, listen, count.
I knew a man, he was a common farmer, he was the father of five
sons, and in them were the fathers of sons, and in them were
the fathers of sons.
This man was of wonderful vigor, calmness, beauty of person,
The shape of his head, the richness and breadth of his manners, the
pale yellow and white of his hair and beard, the
immeasurable meaning of his black eyes,
These I used to go and visit him to see – he was wise also,
He was six feet tall, he was over eighty years old – his sons were
massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him, they
did not love him by allowance, they loved him with personal love,
He drank water only, the blood showed like scarlet through the clear
brown skin of his face,
He was a frequent gunner and fisher, he sailed his boat himself, he
had a fine one presented to him by a ship-joiner – he had
fowling-pieces, presented to him by men that loved him,
When he went with his five sons and many grandsons to hunt or fish,
you would pick him out as the most beautiful and vigorous of
the gang,
You would wish long and long to be with him – you would wish to sit
by him in the boat, that you and he might touch each other.
I have perceived that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is
enough,
To pass among them, to touch any one, to rest my arm ever so lightly
round his or her neck for a moment – what is this, then?
I do not ask any more delight, I swim in it, as in a sea.
There is something in staying close to men and women, and looking
on them, and in the contact and odor of them, that pleases the
soul well,
All things please the soul, but these please the soul well.
This is the female form!
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless
vapor – all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, the atmosphere
and the clouds, what was expected of heaven or feared of
hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
likewise ungovernable,
Hair, bosom, hips, bend of legs, negligent falling hands, all diffused –
mine too diffused,
Ebb stung by the flow, and flow stung by the ebb, love-flesh swelling
and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
love, white-blow and delirious juice,
Bridegroom-night of love, working surely and softly into the prostrate
dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-fleshed day.
This is the nucleus – after the child is born of woman, the man is born
of woman,
This is the bath of birth – this is the merge of small and large, and the
outlet again.
Be not ashamed, women! your privilege encloses the rest, it is the exit
of the rest,
You are the gates of the body, and you are the gates of the soul!
The female contains all qualities, and tempers them – she is in her
place, she moves with perfect balance,
She is all things duly veiled, she is both passive and active – she is to
conceive daughters as well as sons, and sons as well as
daughters.
As I see my soul reflected in nature, as I see through a mist, one with
inexpressible completeness and beauty – see the bent head
and arms folded over the breast, the female I see,
I see the bearer of the great fruit which is immortality – the good
thereof is not tasted by roues, and never can be.
The male is not less the soul, nor more – he too is in his place,
He too is all qualities, he is action and power, the flush of the known
universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The fiercest largest passions, bliss that is utmost, sorrow that is
utmost, become him well – pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings everything to
the test of himself,
Whatever the survey, whatever the sea and the sail, he strikes
soundings at last only here,
Where else does he strike soundings, except here?
The man’s body is sacred, and the woman’s body is sacred – it is no
matter who,
Is it a slave? Is it one of the dull-faced immigrants just landed on the
wharf?
Each belongs here or anywhere, just as much as the well-off, just as
much as you,
Each has his or her place in the procession.
All is a procession!
The universe is a procession, with measured and beautiful motion!
Do you know so much, that you call the slave or the dull-face
ignorant?
Do you suppose you have a right to a good sight, and he or she has no
right to a sight?
Do you think matter has cohered together from its diffused float, and
the soil is on the surface, and water runs, and vegetation
sprouts, for you, and not for him and her?
A man’s body at auction!
I help the auctioneer – the sloven does not half know his business.
Gentlemen, look on this wonder!
Whatever the bids of the bidders, they cannot be high enough for it,
For it the globe lay preparing quintillions of years, without one
animal or plant,
For it the revolving cycles truly and steadily rolled.
In this head the all-baffling brain,
In it and below it the making of the attributes of heroes.
Examine these limbs, red, black, or white – they are so cunning in
tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant back-bone and neck, flesh not flabby,
good-sized arms and legs,
And wonders within there yet.
Within there runs blood – the same old blood! the same red running
blood!
There swells and jets a heart – there all passions, desires, reachings,
aspirations,
Do you think they are not there because they are not expressed in
parlors and lecture-rooms?
This is not only one man – this is the father of those who shall be
fathers in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives, with countless embodiments and
enjoyments.
How do you know who shall come from the offspring of his offspring/p>
through the centuries?
Who might you find you have come from yourself, if you could trace/p>
back through the centuries?
A woman’s body at auction!
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.
Her daughters, or their daughters’ daughters – who knows who shall/p>
mate with them?
Who knows through the centuries what herpes may come from them?
In them, and of them, natal love – in them the divine mystery, the
same old beautiful mystery.
Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Your father, where is your father?
Your mother, is she living? Have you been much with her? and has
she been much with you?
Do you not see that these are exactly the same to all, in all nations
and times, all over the earth?
If any thing is sacred, the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is beautiful
as the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.
O my body! I dare not desert the likes of you in other men and
women, nor the likes of the parts of you!
I believe the likes of you are to stand or fall with the likes of the soul,
I believe the likes of you shall stand or fall with my poems – for they
are poems,
Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s,
father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eye-brows, and the waking or
sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
ample side-round of the chest,
Upper-arm, arm-pit, elbow-socket, lower-arm, arm-sinews,
arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
finger-balls, finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, back-bone, joints of the back-bone,
Hips, hip-sockets, hip-strength, inward and outward round, man-balls,
man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel,
All attitudes, all the shapeliness, all the belongings of my or your
body, or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality maternity,
Womanhood, and all that is a woman – and the man that comes from woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping,
love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving, and
tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sun-burnt shade, freckles, hair,
The curious sympathy one feels, when feeling with the hand the
naked meat of his own body or another person’s body,
The circling rivers, the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
toward the knees,
The thin red jellies within you, or within me – the bones, and the
marrow in the bones,
The exquisite realization of health,
O I think these are not the parts and poems of the body only, but of
the soul,
O I think these are the soul!
If these are not the soul, what is the soul?